| dc.contributor.author | Steinitz, Matti | spa |
| dc.contributor.author | Suárez Ontaneda, Juan | spa |
| dc.date.accessioned | 2024-06-04T09:19:56Z | |
| dc.date.accessioned | 2025-07-25T21:27:26Z | |
| dc.date.available | 2024-06-04T09:19:56Z | |
| dc.date.available | 2025-07-25T21:27:26Z | |
| dc.date.issued | 2024-06-04 | |
| dc.description.abstract | La historia de las migraciones y luchas por la liberación de los afrodescendientes en las Américas está reflejada en la gran variedad de géneros de música negra que han dominado las culturas populares a lo largo y ancho del hemisferio occidental. A pesar de las divergencias entre los diversos contextos, relacionadas a diferentes formas de dominio colonial y las manifestaciones variadas de racismos y antirracismos, las músicas populares afroamericanas convergen en el papel clave que han jugado como plataformas de expresión y resistencia antirracista. Asimismo, estos registros musicales también han sido consumidos como objetos de folklorización, cooptación estatal y comercialización. Cuando otras vías de comunicación y representación en muchos casos estaban cerradas para las comunidades afrodescendientes, la música representó una posibilidad para dar voz a perspectivas silenciadas, reforzar la identidad de grupo y manifestar disenso con el status quo de la supremacía blanca y un mestizaje anclado en la blanquitud. El papel transformador de los sonidos negros es representativo de la relación íntima entre música popular y movimientos sociales que ha marcado a las Américas desde los comienzos del siglo 20 hasta el presente. | spa |
| dc.format.mimetype | application/pdf | spa |
| dc.format.mimetype | text/html | spa |
| dc.identifier.doi | 10.32997/pa-2024-4727 | |
| dc.identifier.eissn | 2805-7090 | |
| dc.identifier.uri | https://hdl.handle.net/11227/19944 | |
| dc.identifier.url | https://doi.org/10.32997/pa-2024-4727 | |
| dc.language.iso | spa | spa |
| dc.publisher | Universidad de Cartagena | spa |
| dc.relation.bitstream | https://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/4727/3665 | |
| dc.relation.bitstream | https://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/4727/3684 | |
| dc.relation.citationendpage | 211 | |
| dc.relation.citationissue | 2 | spa |
| dc.relation.citationstartpage | 202 | |
| dc.relation.citationvolume | 3 | spa |
| dc.relation.ispartofjournal | Perspectivas Afro | spa |
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| dc.rights.accessrights | info:eu-repo/semantics/openAccess | spa |
| dc.rights.coar | http://purl.org/coar/access_right/c_abf2 | spa |
| dc.rights.creativecommons | Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-SinDerivadas 4.0. | spa |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | spa |
| dc.source | https://revistas.unicartagena.edu.co/index.php/PersAfro/article/view/4727 | spa |
| dc.title | Sonido y movimiento: música popular y transnacionalismo negro en las Américas | spa |
| dc.title.translated | Sonido y movimiento: música popular y transnacionalismo negro en las Américas | eng |
| dc.type | Artículo de revista | spa |
| dc.type.coar | http://purl.org/coar/resource_type/c_6501 | spa |
| dc.type.coarversion | http://purl.org/coar/version/c_970fb48d4fbd8a85 | spa |
| dc.type.content | Text | spa |
| dc.type.driver | info:eu-repo/semantics/article | spa |
| dc.type.local | Journal article | eng |
| dc.type.version | info:eu-repo/semantics/publishedVersion | spa |
| dspace.entity.type | Publication | spa |
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