Datos de Contacto
Sede: Claustro de San Agustín, Centro Histórico, Calle de la Universidad Cra. 6 #36-100
Colombia, Bolívar, Cartagena
Ver más...
dc.contributor.author | Sylvester, Meagan | spa |
dc.date.accessioned | 2024-06-04T09:19:56Z | |
dc.date.accessioned | 2025-07-25T21:27:30Z | |
dc.date.available | 2024-06-04T09:19:56Z | |
dc.date.available | 2025-07-25T21:27:30Z | |
dc.date.issued | 2024-06-04 | |
dc.description.abstract | Este artículo se centrará en la música Calypso y Soca de Trinidad y Tobago y del Caribe holandés. En particular, se hará hincapié en dos estudios de caso de las islas holandesas de Aruba, Curaçao y San Martín y en el de la isla más meridional del Caribe, Trinidad, centrándose en el modo en que los productores y personalidades de la radio y la televisión evocaron la alegría y la nostalgia en su recreación de las festividades de Carnaval durante la pandemia. | spa |
dc.description.abstract | This paper will focus on the demonstration of Black joy as Black music, specifically Calypso and Soca music from Trinidad and Tobago and the Dutch Caribbean. In particular, emphasis will be placed on two case studies from the Dutch islands of Aruba, Curacao and St. Maarten and that of the most southerly isle of the Caribbean, Trinidad, focusing on the ways in which radio and television producers and personalites conjured up joy and nostalgia in their re-enactment of Carnival festivities during the pandemic. | eng |
dc.format.mimetype | application/pdf | eng |
dc.format.mimetype | text/html | eng |
dc.identifier.doi | 10.32997/pa-2024-4737 | |
dc.identifier.eissn | 2805-7090 | |
dc.identifier.uri | https://hdl.handle.net/11227/19953 | |
dc.identifier.url | https://doi.org/10.32997/pa-2024-4737 | |
dc.language.iso | eng | eng |
dc.publisher | Universidad de Cartagena | spa |
dc.relation.bitstream | https://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/4737/3674 | |
dc.relation.bitstream | https://revistas.unicartagena.edu.co/index.php/PersAfro/article/download/4737/3694 | |
dc.relation.citationendpage | 365 | |
dc.relation.citationissue | 2 | spa |
dc.relation.citationstartpage | 353 | |
dc.relation.citationvolume | 3 | spa |
dc.relation.ispartofjournal | Perspectivas Afro | spa |
dc.relation.references | Assmann, Jan. “Collective Memory and Cultural Identity”. New German Critique 65 (1995): 125-133. | eng |
dc.relation.references | _____. “Memory, individual and collective”. The Oxford handbook of contextual political analysis. Robert Goodin and Charles Tilly Eds. Oxford, UK: Oxford University Press, 2006. 210-224. | eng |
dc.relation.references | _____. “Communicative and Cultural Memory”. A Companion to Cultural Memory Studies. A. Erll and A.Nuenning. eds. Berlin, Walter de Gruyter. 2008. | eng |
dc.relation.references | Austin, Roy. “Understanding Calypso Content: A Critique and an Alternative Explanation”. Caribbean Quarterly 22 (1976): 77-83. | eng |
dc.relation.references | Bennett, Andy. Popular Music and Youth Culture: Music, Identity and Place. Basingstoke: Macmillan, 2000. | eng |
dc.relation.references | _____. Cultures of Popular Music. Buckingham & Philadelphia: Open University Press, 2001. | eng |
dc.relation.references | _____. “Consolidating the music scenes perspective”. Poetics 32 (2004): 223-34. | eng |
dc.relation.references | Bennett, Andy, and Richard A. Peterson. Music Scenes: Local, Translocal and Virtual. Nashville, TN: Vanderbilt University Press, 2004. | eng |
dc.relation.references | Buchanan, Donna, A. Reviewed Work: Ethnicity, Identity and Music: The Musical Construction of Place Martin Stokes. Second Series, Vol. 52, No. 2 , pp. 427-430 (4 pages). Published by: Music Library Association. 1995. | eng |
dc.relation.references | Boyce-Davies Carole. “The Politics of African Identification in Trinidad Calypso”. Studies in Popular Culture 8/2 (1985): 77-94. | eng |
dc.relation.references | Cerulo, Karen A. “Social Disruption and Its Effects on Music: An Empirical Analysis”. Social Forces 62 (1984): 885–904. | eng |
dc.relation.references | Constance, Zeno. The Man Behind the Music: The People's Calypsonian, Brother Valentine. Port-of-Spain: Zeno Obi Constance, 2010. | eng |
dc.relation.references | Cowley, John. Carnival and Calypso: Traditions in the Making. Cambridge; New York: Cambridge University Press, 1996. | eng |
dc.relation.references | Dudley, Shannon. Carnival Music in Trinidad: Experiencing Music, Expressing Culture. New York: Oxford University Press, 2004. | eng |
dc.relation.references | Dunn, Geoffrey and Michael Horne. Calypso Dreams. Santa Cruz, CA: Geoffrey Dunn, 2006 | eng |
dc.relation.references | Elder, Jacob Delworth. The Evolution of the traditional Calypso of Trinidad and Tobago; A Socio-Historical Analysis of Song-Change. Philadelphia: University of Pennsylvania Publishing, 1966. | eng |
dc.relation.references | Errl, Apaso. 2008. “A Companion to Cultural Memory Studies”. Cultural Memory Studies: An Introduction. Apaso Erll y Ansgar nunning, eds. Berlin: Walter de Gruyter (2008). 1-18. | eng |
dc.relation.references | Flavien, Isaac Janice. “The Translation of Carnival in Trinidad and Tobago: The Evolution of a Festival.” Tusaaji: A Translation Review 2/2 (2003): 42-55 | eng |
dc.relation.references | Frith, Simon. 1996. Music and Identity. http://faculty.georgetown.edu/irvinem/theory/Frith-Music-and-Identity-1996.pdf. | eng |
dc.relation.references | Guilbault, Jocelyne. Governing Sound: The Cultural Politics of Trinidad’s Carnival Musics. Chicago: The University of Chicago Press, 2007. | eng |
dc.relation.references | Halbwachs, Maurice. On Collective Memory. Chicago: University of Chicago Press, 1992. | eng |
dc.relation.references | Hill, Donald. Calypso Callaloo: Early Carnival Music in Trinidad. Gainesville: University Press of Florida, 1993. | eng |
dc.relation.references | Liverpool, Hollis. Kaiso and Society. Diego Martin, Trinidad: Juba Publications, 1990. | eng |
dc.relation.references | _____. “Origins of Rituals and Customs in the Trinidad Carnival: African or European?” TDR/The Drama Review 42/3 (1998): 24-3. | eng |
dc.relation.references | _____. Rituals of Power and Rebellion: The Carnival Tradition in Trinidad and Tobago, 1763 – 1962. Chicago, Trinidad and Tobago: Research Associates School Times; Frontline Distribution, 2001. | eng |
dc.relation.references | [Lovey's String Band, 1890-1920: http://youtu.be/YGovSJkxzPw] | eng |
dc.relation.references | Olick, Jeffrey K, et al (Eds.). The Collective Memory Reader. New York: Oxford University Press, 2011. | eng |
dc.relation.references | Olsen, Dale. The Chrysanthemum and the Song: Music, Memory, and Identity in the South American Japanese Diaspora. Gainesville: University Press of Florida, 2004. | eng |
dc.relation.references | Regis, Louis. The Political Calypso: True Opposition in Trinidad and Tobago, 1962 – 1987. Cave Hill, Barbados: University Press of the West Indies, 1999. | eng |
dc.relation.references | Rohlehr, Gordon. Calypso & Society in Pre-Independence Trinidad. Port-of-Spain. Trinidad: G. Rohlehr, 1990. | eng |
dc.relation.references | _____. “Calypso and Caribbean Identity”. In Caribbean Cultural Identities. Glynne Griffith ed. Lewisburg, PA: Bucknell University Press, 2001. 55 – 72. | eng |
dc.relation.references | Smith, Keith. “Calypso Reinventing Itself.” Trinidad Express, 4 February. 2005. http://www.trinidadexpress.com/index.pl/article?id=58864809. | eng |
dc.relation.references | Sofo, Giuseppe. “Carnival, Memory and Identity”. Kultura 4/6 (2014): 17-24. | eng |
dc.relation.references | Stokes, Martin. “Introduction: Ethnicity, Identity and Music.” In Ethnicity, Identity and Music: The Musical Construction of Place. Martin Stokes, ed. Oxford, UK: Berg, 1994. 1-27. | eng |
dc.relation.references | Sylvester, Meagan. “Cultural Meaning, Social Hybridity and Musical Sonority: Unpacking Elements of the Trinidad and Tobago Identity in the Lyrics of its Carnival Music”. In ISA E-Symposium, Issue 3, December (2013). Online Article. http://sjdspace.sagepub.com/wp-content/uploads/2014/02/EBul-Sylvester-Dec2013.pdf | eng |
dc.relation.references | Sylvester, Meagan, et al. “An Era Re-Visited: Trinidad & Tobago's Indigenous Calypso Music – First Recordings, First Live Performances, First Music Publishing, and First Recordings on Film from 1900-1950”. ARSC Journal 44/2 (2013): 201-216. | eng |
dc.relation.references | Sylvester, Meagan and Lutalo Masimba. Personal Interview. Office of the Trinbago Unified Calypsonians Organisation, (TUCO) Jerningham Road, Belomont, Trinidad and Tobago. 2015. | eng |
dc.relation.references | Sylvester, Meagan A and Gregory Richardson. “Carnival, Culture Resilience and COVID19 in the Dutch Caribbean and in Trinidad and Tobago”. Masking as Quintessential Authenticity: Healing, Intersectionality and Interstices in the Languages, Literatures and Cultures of the Dutch Caribbean and Beyond. Faraclas, N. R. Severing, E. Echteld, S. Delgado and W. Rutgers, eds. Willemstad, Curaçao: University of Curaçao, 2021. 340. | eng |
dc.relation.references | Warner, Keith. The Trinidad Calypso: A Study of the Calypso as Oral Literature. London: Heineman, 1982. | eng |
dc.relation.references | Winer, Lise. “Socio-Cultural Change and the Language of Calypso”. New West Indian Guide 60/3 – 4 (1986): 113-148. | eng |
dc.rights.accessrights | info:eu-repo/semantics/openAccess | eng |
dc.rights.coar | http://purl.org/coar/access_right/c_abf2 | eng |
dc.rights.creativecommons | Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial-SinDerivadas 4.0. | eng |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/4.0 | eng |
dc.source | https://revistas.unicartagena.edu.co/index.php/PersAfro/article/view/4737 | eng |
dc.subject | Carnival | eng |
dc.subject | Black Joy | eng |
dc.subject | Black Music | eng |
dc.subject | Memory studies | eng |
dc.subject | Caribbean Music | eng |
dc.subject | Carnaval | spa |
dc.subject | Música negra | spa |
dc.subject | Estudios de la memoria | spa |
dc.subject | Música caribeña | spa |
dc.title | Calypso, Carnaval y Covid 19: examinando la alegría musical negra en tiempos de una pandemia global a través de la lente de la música Calypso | spa |
dc.title.translated | Calypso, Carnival and Covid 19: Examining Black Musical Joy in Times of a Global Pandemic Through the Lens of Calypso Music | eng |
dc.type | Artículo de revista | spa |
dc.type.coar | http://purl.org/coar/resource_type/c_6501 | eng |
dc.type.coarversion | http://purl.org/coar/version/c_970fb48d4fbd8a85 | eng |
dc.type.content | Text | eng |
dc.type.driver | info:eu-repo/semantics/article | eng |
dc.type.local | Journal article | eng |
dc.type.version | info:eu-repo/semantics/publishedVersion | eng |
dspace.entity.type | Publication | eng |
Sede: Claustro de San Agustín, Centro Histórico, Calle de la Universidad Cra. 6 #36-100
Colombia, Bolívar, Cartagena
Ver más...